BELLEVUE
c. 2020 by Steven Orr
Peter woke
up early Sunday morning at 5:30 a.m., April 28, 2013. He heard a voice and it
wasn’t God.
“Throw yourself in
the East River. Go on, do it. You know it’s time. It’s time to kill yourself.
Well, what are you waiting for? Throw yourself in the East River. Do it now.”
It was a cold
dreary morning too, so it was a good day for it. He thought he needed to talk
to someone, as he’d never heard this particular voice before. Almost sixty
years old, he hated what he did for a living, which he referred to as turning
tricks. He did massage with happy endings. Recently, he’d lost a rich, older
“patron of the arts” who’d been offering him rent assistance the past few
years. Now, he was three months behind in the rent. Various collection agencies
had been calling relentlessly every day leaving nasty messages. Even his landlord, a former Vet, had begun threatening him. "I carry a gun and I'm not afraid to use if I have to, to force tenants out who don't pay--I'm just warning you." He made no bones about threatening Peter after the first 30 days without paying rent. This year had
been one of the worst on record for massage clients, their numbers slowing
to a trickle. His heart really wasn't into it anymore. He stopped advertising online; that spelled quick end to any gay male masseur's practice who wanted to keep seeing clients and making money.
Ever the creative one, he’d all but stopped directing Off-Off Broadway plays. Occasionally he still managed to pick up a pencil and sketch or draw. Now it was an effort to even get out of bed. Finally, he’d heard this voice, the voice telling him to kill himself. It really spooked him. He called the Suicide Hotline.
Ever the creative one, he’d all but stopped directing Off-Off Broadway plays. Occasionally he still managed to pick up a pencil and sketch or draw. Now it was an effort to even get out of bed. Finally, he’d heard this voice, the voice telling him to kill himself. It really spooked him. He called the Suicide Hotline.
“I want to go to
Bellevue. I need to talk to someone. I think I need to talk to a psychiatrist.
I’m hearing this voice, it’s telling me to kill myself. But I’m afraid they
might lock me up if I go there. If I go to Bellevue, will they lock me up if I
just want to talk to someone?”
“No, they can’t
keep you there against your will” said the operator from the Suicide Hotline.
As soon as Peter got to the Bellevue emergency room and asked to speak to a psychiatrist
because he was hearing a voice in his head, they
moved him up to the Psych unit on the second floor for observation. The nurses
referred to this as Purgatory, for it was where they put patients before
moving them up to Hell up on the tenth floor, a locked Psychiatric unit with
beds, for longer, overnight stays.
In a small, dingy,
dressing room, the nurse instructed him to take off his shoes, his belt, wallet and keys. They took his picture and put it on his very own
ID bracelet that they affixed to his wrist. “It was the worst picture I’ve ever
had taken of me” said Peter later. It was at this point when he
discovered that he couldn’t leave Purgatory.
“You can leave as
soon as you see the doctor,” said the Philipino nurse. Just wait a little while,
see the doctor, then you can go.”
Meanwhile in
Cannes, female whores were arriving in droves for the big film festival. Some
girls got as much as $5K for an hour. “It’s really only like 5 minutes of being
with somebody unpleasant if you think about it” one girl confessed unabashedly
to a writer from The Hollywood Reporter.
Back at Bellevue,
however, Peter was not a happy camper. “What are you doing?” he was
yelling at the nurse as they took his things. “You mean I can’t leave? I want
to leave. I don’t want to stay here! I was told I could leave at any time. I
just wanted to talk to someone. I want to leave.”
There were lots of
homeless men in purgatory. The entire unit smelled like dirty feet.
In Cannes, meanwhile, many female whores
were acclimating themselves on private yachts where they would be called upon
to serve. Numerous parties took place on the yachts. The girls loved Arab
clients the most, for they had so much money, they just threw it at you without
even counting. A girl could make $30-40G in a week if she was a good.
Back in Purgatory,
one of the patients, a homeless man, wrapped himself up in white sheets and
wandered around, a kind of Lawrence of Arabia on acid.
Right next to
Peter was an ancient beat up pay phone. This was the only mode of
communication on the whole unit. As it turned out, he became a kind of
temporary secretary, answering the phone and sometimes even taking messages for
the patients. Even in Bellevue, his talent for co-dependency came shining through.
On his second day in Purgatory, a new patient joined the ward. He was a young,
cute preppy looking white boy, early 20’s, a college kid by the looks of it.
Peter assumed he was sane, because he was white and preppy and because he also
seemed genuinely shocked too when they wouldn’t let him go. Like Peter, "John" only
wanted to talk to someone. Peter
and John commiserated on how unfair it was that they were both being kept
prisoners. How dare they keep them here against his will. Peter had found a comrade. They were both agitated and
pacing. “How dare they lock up sane people. This is outrageous—we’ve got to do
something,” they protested to each other and to anyone who would listen.
John suddenly
stopped. “I can get us out of here” he said to Peter, “I’m a doctor.” Uh-oh,
thought Peter. “After all” said
John, “it’s not over till it’s over. I mean really, you know. It’s not over
till it’s over, it’s not over till it’s over…it’s not over till it’s over…” He
kept repeating the phrase again and again, as if stuck in some bizarre Performance Art monologue. He definitely wasn’t as sane as
Peter first thought.
There was the picture attached to the bulletproof plexiglas wall of the nurses’ station. It was a poster with the headline “Missing.” On the poster was the picture of a pretty, smiling young girl. The poster caught John's eye. “I know her,” John said, staring intensely at it. “I know her, and I can save her, I really can. Nurse, what’s this girl’s name, the one on the poster? I know her and I can find and save her.” He was tapping on the bulletproof Plexiglas now, getting more and more agitated.
There was the picture attached to the bulletproof plexiglas wall of the nurses’ station. It was a poster with the headline “Missing.” On the poster was the picture of a pretty, smiling young girl. The poster caught John's eye. “I know her,” John said, staring intensely at it. “I know her, and I can save her, I really can. Nurse, what’s this girl’s name, the one on the poster? I know her and I can find and save her.” He was tapping on the bulletproof Plexiglas now, getting more and more agitated.
Quietly in the
corner a beautiful young black boy with glasses was sitting very still.
Whenever the phone rang he would plaintively ask, “Is that the doctor? Is that the doctor calling for me? I’m
waiting for a bed upstairs. The doctor is supposed to be calling me so I can be
moved upstairs.”
After about nine
hours, Peter got to see a psychiatrist. After their talk, another nurse
returned his belt, wallet, shoes and keys. He got to keep his ID bracelet with
the horrible picture.
All this had
happened three weeks ago, on a cold dreary Sunday, near the end of April. He
was talking to his friend, Steve. “ I thought I’d told you about all
this. Wow, I didn’t tell you? My sense of time is messed up. Three weeks
already. I thought I'd told you.”
“I really liked
the psychiatrist. Of course I’ll never see her again. She put me on three anti-depressants." "Which ones?" asked Steve.
"Pacil, Laltuda and Wilbutrin" replied Peter. "I don't really get hard anymore." "Jesus, no wonder" said Steve. "But I do feel much better; I mean I’m not happy, but I can function. Things don't seem so hopeless. And I don't hear that voice anymore. Oh and I may be moving.
This old Jew who draws at the Center on Saturdays, he’s also a gay historian.
I’ve known him for years, since I’ve been booking the models there. We got to
talking; he’s taken an interest in me. He wants to help me. I told him all
about what happened. Last weekend, he took me out to dinner. He’s not rich but
he owns a whole townhouse on Morton Street in the West Village. His family left
it to him. He’s offered to rent me the entire first floor for a thousand a
month. It would be private--he said he’d never go down there. I would have my
own private entrance. Of course I’d have to be a whore there too and turn
tricks, but it’s really ideal. I would have my own separate space. Well, there
would be strange men coming in and out. I would have to turn at least ten tricks a month to pay the
rent. I hope he’s OK with that. Of course I’d have to tell him I'm a whore.
He’s just getting to know me. Oh and I'd have to cool it on "the Jew" thing. He already came for a massage the
other day. He even tipped me! And I didn’t even have to give him a Happy Ending. No,
really, I didn’t.”